Oklahoma!
Sound Design
Music: Richard Rogers
Lyrics and Book: Oscar Hammerstein II
Director: Lisa Hall-Hagen
Musical Director: Amanda Crabb
Lighting Design: Joseph Walls
Costume Design: Dennis Wright
Scenic Design: Madeline Ashton
Properties Design: Madeline Ashton
Performances: July/August 2018
Performance count: 15
Description of company:
Sundance Summer Theatre is a partnership between the Sundance Resort in Utah and Utah Valley University. With a history that reaches back to the 1970’s, Sundance Summer Theatre was re-introduced in 2008 by Robert Redford. The Eccles Outdoor Amphitheater at Sundance Resort seats 1,251 with benches in the main bowl and lawn seating above, using Mount Timpanagos as the backdrop.
Synopsis
"The musical's main focus is on a cowboy named Curly and the girl he wants to marry, who's named Laurey. Their burgeoning relationship drives the entire show. But someone else wants to marry Laurey, too. Jud Fry is a coarse fellow who lives in a smokehouse. He doesn't stand a chance with Laurey, but he's got his heart set on her, and there's pretty much nothing he won't do to claim her.
A subplot involves a boy-crazy woman named Ado Annie. She's engaged to one man, who doesn't want to marry her, while another man, Will Parker, desperately wants her to be his bride. Everything comes to a head at a big party in town. An auction for a picnic basket of food prepared by Laurey becomes an aggressive showdown between Curly and Jud.
Ultimately love wins out, and Curly and Laurey get married. Jud shows up, wanting to kill Curly, but instead falls onto his own blade and dies after a brief struggle with his enemy. An unofficial trial follows, and Curly is exonerated.” from The Oklahoman
Design Statement
Oklahoma! at Sundance Summer Theatre was my first time working with this company. The outdoor amphitheater had no built in sound system, necessitating a system design from the ground up. When designing the system, the request was to use as much of the sound inventory as possible from Utah Valley University, supplementing with rental as necessary. After spending a significant amount of time parsing photographs of the space, I drew up initial drawings and a list of what to pull and what to rent. After a substantial process of substitutions and bidding with local vendors, we were able to pull together a system that served the amphitheater well and delivered sound to the entirety of the audience.
The musical had tracked music. Sundance makes a habit of recording “sweetener” vocal tracks to run concurrently with the music track and help fill out the voices on stage in group numbers. I was responsible for pairing the instrument tracks with the sweeteners. I used processing and volume automation to make the tracks more lively and dynamic. Qlab programming was triggered by the lighting console for performances. As incongruous as the natural backdrop of towering evergreens and mountain peaks was for Oklahoma, it was a charming production.
Heather Hayes - Deseret News
“,,,there were plenty of bright notes to make this production thoroughly enjoyable…”